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Prufrock
 In this forum discuss the latter half of the poem. Make sure to address each stanza and what it means. I would like to cumulatively have the entire poem addressed.
Spiritual Emptiness
Posted by: Clark, Julie at 4/1/2008

Elliot's discussions of death and age create a weary and empty tone.  Prufrock is an aging man who has "seen the moment of [his] greatness flicker, And [has] seen the eternal Footman hold [his] coat, and snicker." (84-85)  This eternal footman who snickers made me remember the setting of the party which he must "dare" to enter or "dare" to leave because of his age.  This setting (of the party and it's location), though away from the disgusting yellow fog appearing in the street, is empty.  The descriptions of "one-night cheap hotels" and "sawdust restaurants " (6-7) shared with me an empty and unfulfilled feeling.  This empty and unfulfilling setting can't be spiritually full because of its nature; the sickness and decay the yellow fog brings to mind can not be shared with spirituality. 

RE: Spiritual Emptiness
Posted by: Mazzini, Angela at 4/1/2008
Well, Prufrock at the beggining is talking about time and how if he had time he would do all these things
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to murder and create,
And time for all the works and days of hands
That lift and drop a question on your plate;         30
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.
so I think that the feeling of unfullfilment is because Prefrock is realizing his life is nearing the end and he can't do anything to stop it. And maybe that party he is going to just reminds him of what he isn't anymore(Young- because of all the comments he imagines people making about his age). Also he seems to be pretty self-conscious and that may also be a part of why his life is so empty, he cared too much about the physical aspect rather than being himself.
RE: Spiritual Emptiness
Posted by: Merkle, Dustin at 4/1/2008
Although Prufrock makes many Biblical references, I do not think it is a Spiritual emptiness he has. Rather, the insecurity in his life, as you said. There is an emptiness in his life mainly because of his insecurities about his looks and about himself. The second to last stanza reads, "I grow old ... I grow old ... I shall wear the bottoms of my trousers rolled. Shall I part my hair behind? Do I dare to eat a peach? I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each. I do not think that they will sing to me." This shows his obvious insecurities, which as you said, leads to his emptiness in life.
RE: Spiritual Emptiness
Posted by: Winograd, Joe at 4/2/2008
Yes, the insecurities are what make his life so empty. Because he is too afraid to take any risks in life, he does not really accomplish anything. "I have heard the mermaids singing, each to each. I do not think that they will sing to me." This line shows that he has already decided that the women will not like him, so he feels that there is no reason to go any further. This is why there is this feeling of emptiness.
RE: Spiritual Emptiness
Posted by: Myers, Andy at 4/2/2008
i do not believe he is afraid to take risks in life, but i do think he is scared of something else: failure.  He doesnt want to do something he is going to fail at.  He's a cautious man who has seen his fair share of life and knows where and when to ask things but hasnt recieved what he wanted.  He is scared he will finish life as a failure. 
RE: Spiritual Emptiness
Posted by: TORREY, KELLER at 4/2/2008
see i saw it in a little bit of a diofferent way, like he was scared all his life to take risks and now he is having to deal with his failure and i htink he is having strugges accepting that.
RE: Spiritual Emptiness
Posted by: Hasler, Stephen at 4/2/2008
well thats kind of contradictory, taking risks invloves doing things you might fail at.  To say he will take risks, but wont do something he is afraid of doesn't make sense.  I think he is afraid of taking risks and he is afraid of failure.
RE: Spiritual Emptiness
Posted by: inwood, caitlin at 4/2/2008
i think prufrock feels like he is living in some form of hell, especially when he refers to Dante's inferno and also the barren and depressing surroundings "sawdust restaurants", causing the reader to picture a lonely man who is very isolated from the rest of society.   I agree that he is this way because he unsatisfied with life and feels restless, he is obviously bored with life and what it has to offer and feels he is losing time to fullfill his emptiness, which he attempts with a woman who tells him "thats not what i meant at all." This is only another dissapointment to prufrock.
RE: Spiritual Emptiness
Posted by: Richardson, Brittany at 4/2/2008
I  agree with Andy I dont believe he is scared to take risks. I believe is is just afraid that he wont be as good as he used to be. He is afraid of not holding up his expectations of himself. When he mentions the women trying to talk to one of them to get them to have sex with him i think that is a huge risk.
RE: Spiritual Emptiness
Posted by: Lyons, Kristy at 4/3/2008
Although I agree with your point of view Joe, I happened to gather a different meaning from emptiness. From what I gathered in the poem, Prufrock's emptiness stems from his random nights of sex with the women. His only mission is to have them for a pleasurable night, with no strings attached.
RE: Spiritual Emptiness
Posted by: Eikrem, Hannah at 4/3/2008
I agree with your statement that the insecurities are what made his life so empty.  There are several examples of this from the very beginning. In lines 70-74 he bring up the crab (Polonius in Hamlet) and how he is isolated in the world.  He also metions again in likes 105-110 that he sees his insecurities on the screen in front of him.  I believe that his biggest fear is facing the women and what they might think about him.  He goes through many "worst case senarios" in his mind while contemplating asking the quesiton.
RE: Spiritual Emptiness
Posted by: Eikrem, Hannah at 4/3/2008
I agree with your statement that the insecurities are what made his life so empty.  There are several examples of this from the very beginning. In lines 70-74 he bring up the crab (Polonius in Hamlet) and how he is isolated in the world.  He also metions again in lines 105-110 that he sees his insecurities on the screen in front of him.  I believe that his biggest fear is facing the women and what they might think about him.  He goes through many "worst case senarios" in his mind while contemplating asking the quesiton.
RE: Spiritual Emptiness
Posted by: Eikrem, Hannah at 4/3/2008
I agree with your statement that the insecurities are what made his life so empty.  There are several examples of this from the very beginning. In lines 70-74 he bring up the crab (Polonius in Hamlet) and how he is isolated in the world.  He also metions again in lines 105-110 that he sees his insecurities on the screen in front of him.  I believe that his biggest fear is facing the women and what they might think about him.  He goes through many "worst case senarios" in his mind while contemplating asking the quesiton.
RE: Spiritual Emptiness
Posted by: Bickwit, Kyle at 4/2/2008

Yes Angela, I agree wit you.  However, after our class discussion today, I came to the conclusion that Prufrock is not completely dissapointed with his life.  He is just shy, and nervous and after his "time" with the woman, he realizes that women are not only interested in the physical aspects of life.  I would not consider him self-centered, or having an empty life, I think that he is learning and becoming wiser of the world, as he grows older.

 

RE: Spiritual Emptiness
Posted by: Stribos, Michael at 4/2/2008
I agree with Kyle's point about not being completely dissappointed. He is very nervous around women, but still has some hope that the women will find him attractive even though he is balding and thin. He needs some self confidence, but he does not receive it from the women, because the women keeps saying, "This is not what I meant at all, this is not it, at all."
RE: Spiritual Emptiness
Posted by: Fox, Natalie at 4/2/2008
I don't think Prufrock's problem is with disappointment, so much as it's with fear of disappointment. Nothing too terribly bad or amazing has happened to him, and his main concern is something super bad will happen. His life is empty because he suddenly sees it fading away and thinks of all he COULD have done, as opposed to what he still has the power to do now.
RE: Spiritual Emptiness
Posted by: Jenson, Miles at 4/2/2008
I agree, I  think the poem holds more of a tone of regret rather than being thought of as regrettable. It seems to me that he has a very serious problem with rejection, and because he has doubted himslef so much, turns the feelings inwards and starts to go further and regret all the things he had the chance to obtain and experience, but didnt.
RE: Spiritual Emptiness
Posted by: Gradolf, Sarah at 4/2/2008
I agree with you on this. Like you said, I think he is fearful of being a disappointment to the women at the party. His inexperience with women in the past makes him self conscious what he has to offer to them. As he looks back on all of the experiences he had to improve his life and make it worth something more, it reminds him how empty his life is.
RE: Spiritual Emptiness
Posted by: Eikrem, Hannah at 4/3/2008
Natalie, you made a good point when you said how everything is fading away and what power he has left.  This goes with the example from the poem about Lazarus.  If lazarus could prove that he could come back and be great, he believe that maybe there is a chance for him to do the same.
RE: Spiritual Emptiness
Posted by: Harney, Meredith at 4/2/2008
I think Prufrock does feel an emptiness in his life. If he didn't, he wouldn't be so completely obsessed with finding a woman to love him. To him, sexual competency represents vitality and youth. He feels empty inside because he doesn't have that. He is getting older and his life and youth is slipping away from him faster than he would like. Like Michael said he doesn't receive the reassurance that he wants from this woman so his insecurities aren't comforted like he looks for all throughout the poem.
RE: Spiritual Emptiness
Posted by: Harney, Casey at 4/2/2008

I feel Prufrock, in his youth, was in complete control of both his social and sex life so now that he has aged his insecurities begin to develop. He does not know whether to continue pursueing these women as he did in his youth or give into the realization that he has grown up.

"I grow old . . .I grow old . . .
I shall wear the bottoms of my trousers rolled.

Shall I part my hair behind?"

I feel that this quote shows that after all his many thoughts and flashbacks instead of continueing to wonder he accepts that he is old. He is decides he will embrace it rather then fight it. (referring to the line " I shall wear the bottoms of my trousers rolled")

 

RE: Spiritual Emptiness
Posted by: Saffer, Anna at 4/2/2008

I see how he embraces his aging when he says:

Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.

but he is still questioning himself, showing that he is not able to accept it.  I looked for ideas of eating the peach, because that didn't amke since to me and it can symbollic represent marriage, immortality, or a woman's private parts.  All of these are tings which the speaker has trouble with.  In the far off future, when he parts his hair behind, he still sees himself asking the same questions that he is asking himself presrntly, obviously showing his lack of self- confidence

RE: Spiritual Emptiness
Posted by: Harney, Casey at 4/2/2008

I feel Prufrock, in his youth, was in complete control of both his social and sex life so now that he has aged his insecurities begin to develop. He does not know whether to continue pursueing these women as he did in his youth or give into the realization that he has grown up.

"I grow old . . .I grow old . . .
I shall wear the bottoms of my trousers rolled.

Shall I part my hair behind?"

I feel that this quote shows that after all his many thoughts and flashbacks instead of continueing to wonder he accepts that he is old. He decides he will embrace it rather then fight it. (referring to the line " I shall wear the bottoms of my trousers rolled")

 

RE: Spiritual Emptiness
Posted by: Miles, Melissa at 4/2/2008
Starting at line 15, Prufrock acknowledges the yellow fog that fills the air.  As you are well aware, fog obscures ones view of things and I would guess this is indicative of Prufrock.  He is so uncertain of himself and life that it's as if he's "in a fog."  I also want to note that Prufrock makes a point to say in stanza 4 that there will be "Time for you and time for me".  I get the sense that the woman alluded to later in the poem does not stay with Prufrock; that perhaps it is just a one-night-stand kind of thing because he separates the "you" and "me".  I guess what I'm trying to say is that if they had started a relationship, he would have said there will be time for you and me --> time for us together.. Does this make any sense??
RE: Spiritual Emptiness
Posted by: Bell, Jack at 4/2/2008
The thinning hair and thinning legs are also examples of physical 'emptiness' that parallels his spiritual emptiness. The lines that, for me, made the strongest point about Prufrock's 'spiritual emptiness' were "To prepare a face to meet the faces that you meet " and "There will be time to murder and create" (referring to his own soul as well as those of others). These were (as far as this poem goes) relatively straightforward examples of Prufrock's superficiality and inner death.
RE: Spiritual Emptiness
Posted by: Kim, Billy at 4/3/2008
I agree, along with the spiritual and physical emptiness, I found it interesting that he portrayed his setting in such a vulgar manner. In first stanza with:

Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells
The sawdust restaurants were these bars where people would drink and the workers there would layer the floor with saw dust to absorb the alcohol if it was spilled or any vomit. The negative details of the setting creates a feeling of emptiness itself.
RE: Spiritual Emptiness
Posted by: Pellegrom, Matt at 4/3/2008
Although i do agree that Prufrock is feeling empty inside, i do not believe it is a spiritual emptiness. I would rather say that he is lacking spirit in youth and life because of his obvious old-age. The grim and almost old-timer tone discussed in the quote "Of restless nights in one-night cheap hotels/ And sawdust restaurants with oyster-shells." The hotels represent his desperate attempts to sexual youth and the sawdust restaurants represent his life as old and routine.
Stanza # 14
Posted by: Clark, Julie at 4/1/2008

Here is a link to the entire poem.  http://www.bartleby.com/198/1.html

I really do not understand the stanza below.  Will someone help me?

And would it have been worth it, after all,
Would it have been worth while,         100
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along the floor
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a screen:         105
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
  “That is not it at all,
  That is not what I meant, at all.”
I emphasized some of these parts so you can see where I am stuck.  "Worth it"  as a question is repeated several times, so Prufrock is pondering about his life and life itself.  Line 105 is really confusing to me.  What is a magic lantern, and does it have nerves or is he talking about his nerves?  (could he be talking about nervousness throughout his life?)  And then the last two lines in the stanza.  These lines could be talking about his mistakes, but I am really reaching out for that idea.  Does anyone agree?  (I feel like these lines are important, but I can't pinpoint it.)
RE: Stanza # 14
Posted by: Cohen, Stephanie at 4/1/2008

I think Prufroc is talking about his nerves in the part about a magic lantern.  I remember in our literature book the footnotes said that a magic latern was like a slide projector.  He feels as though his nerves are being projected in front of everyone as he anticipates how to say something or if he should say something. He is trying to express his feelings about the worthlessness of his life.  I agree that the last lines could be about the mistakes that he feels he has made because his life seems useless.  Prufrock anticipates how the women will react to his expressions as he says "After the novels, after the teacups, after the skirts that trail along the floor-" (102). He feels as though they will judge him just as they had judged his old age and appearance.

RE: Stanza # 14
Posted by: Ide, Gabby at 4/1/2008

He is asking "Would it have been worth while...To roll it toward some overwhelming question, To say: 'I am Lazarus, come from the dead, Come back to tell you all, I shall tell you all'--" (90-95). Just like in the beginning, he asks a question and then never answers it. Something is holding him back from not saying the thing he really wants to say. But we never find out what that question is.

Also, does anyone know what the dots separating stanza 14 and 15 mean? Theres like a series of random dots separating several different stanzas dividing the poem into 4 sections. I have no idea what they are there for, but I do know that they aren't there for decoration. Anyone have any thoughts?

RE: Stanza # 14
Posted by: Kroll, Yasmin at 4/2/2008

I actually thought he was more trying to be irritatated and say, "you will find out the question! don't ask,"  The question poses as a mystery within the poem which the author knows the answer to. The tone in which he begins off saying 'don't ask...' seems as though he will tell us the answer eventually- or we will 'solve the mystery ' using his clues.

 

RE: Stanza # 14
Posted by: Miles, Melissa at 4/2/2008
In response to the Lazarus allusion, Lazarus was a beggar who laid in front of a rich man's gate, neglected and suffering.  I would say that Prufrock is, in a sense, laying outside the gate of a youthful man, suffering as well.  He yearns for vitality and, as quoted below, is afraid of death/aging.
And I have seen the eternal Footman hold my coat, and snicker,         85
And in short, I was afraid.
RE: Stanza # 14
Posted by: Zhu, David at 4/2/2008
I agree with Stephanie. First you have to remember that the entire poem is in a stream-of-consciousness point of view. thoughts are entering his mind according to when he thinks of it. The projector "projects" to everyone else how nervous he is to court a woman and ask them to have sex. I believe the next most important line after the lantern is the reoccuring of the question "
And would it have been worth it, after all,
Would it have been worth while,
I believe he's asking himself whether or not it would be worth all those novels, teacups, etc, if in the end he's only going to get rejected by the woman and all his efforts are for naught.
RE: Stanza # 14
Posted by: Balfour, David at 4/2/2008

Yes and also i think that the magic lantern is revealing his emotions like his nervousness and insecurities to everyone in the room. He is trying to decide if it is worth it to court a woman and have sex with her. He knows that he will just get rejected in the end and that will only add to his insecurity and low self esteem.   

RE: Stanza # 14
Posted by: Cagle, Courtney at 4/1/2008
One of the main struggles Prufrock deals with is deciding whether or not to go to the party. He has little self confidence and by going to the party (a very social thing) Prufrock may be exposed to all of the women judging him on his "old" appearance. When he says repeatedly, "And would it have been worth it, after all, Would it have been worth while," (lines 99-100) I think he is wondering if it would have been worth it to take the risk and be judged by other people or maybe he is talking about something bigger like ALL of the decisions he has made in his life. We can infer that he may be talking about ALL the choices he made because of the following lines to that stanza. "After the sunsets and the dooryards and the sprinkled streets, After the novels, after the teacups, after the skirts that trail along the floor," (lines 101-102). Not only does Prufrock address the parties (teacups and skirts), but he also addresses sunsets and novels which can symbolize a passing of time and the way he used his time in his life. So yes, I agree that these lines are important and don't necessarily talk about his "mistakes" but maybe regrets on how he used his time or wasted his life away.
RE: Stanza # 14
Posted by: Colcord, Carrie at 4/1/2008
I think this may be Prufrock looking back at the events of his whole life and examining everything. He is questioning himself, whether all the risks he had taken in his life were worth it. He asks whether these things were worthit after the sunsets (ends), dooryards (beginnings), sprinkled streets (events throughout the paths he chose in life), novels and teacups (quiet, peaceful times in life), and the skirts that trailed along the floor (the people who passed in and out of his life). He is having a hard time describing his feelings, which makes it difficult for the reader to fully understand what he means. I think Prufrock is talking about his nerves throughout his life, or the true inner feelings that no one ever saw.
RE: Stanza # 14
Posted by: Clark, Julie at 4/2/2008

After the discussion in class today, and although we did not discuss these lines, I feel like I can discuss these lines better.  But I do not understand why he keeps saying 'would it have been worth it' because I thought they did have sex.  Is he just thinking about what might  happen?  I do understand that the questions is part of his uncomfortable and nervous nature.  The magic lantern- my perspective is he either wanted his nerves thrown on the wall so she could see his feelings or she could clearly see his feelings and wasn't sure he was okay with that.  (which one??) 

The novels, teacups, skirts... this is similar to the other lines (79) tea, ice, and cakes; (88) cups, marmalade, tea.  He constantly mentions the atmosphere and learned aura the women carry.  This repetition of topics and parallel syntax seems to really show his uncomfortable and questioning nature. 

RE: Stanza # 14
Posted by: Stribos, Michael at 4/2/2008
The disscusion we had in class really cleared up the misinterpretations of this passage. I think he is thinking about what he should do before he has sex. He uses parallelism to keep the same tone through out the poem. The tone is constantley nervous, and skeptical. He can not decide whether what he should do.
RE: Stanza # 14
Posted by: howard, gabriel at 4/3/2008
this stanza is when he is considering asking a women to have sex whit him. He is asking "Would it have been worth while." He is asking himself would it be worth his time to ask the women and be rejected? He is trying to make up his mind on what he should do.
RE: Stanza # 14
Posted by: Fox, Natalie at 4/2/2008
I think he means would all the effort have been worth it. He spent so much time worrying about the meeting, the foreplay, the sex, and after its all over he has to ask: was it worth it? Was it everything he expected it to be? He looks back on his life and the lives of those around him and feels its empty; all of it is empty. He's expecting that finally being able to have sex, to prove himself young and vital again, will fill him back up. Now he has to question if it really will.
RE: Stanza # 14
Posted by: Richardson, Brittany at 4/2/2008
I agree with Natlie about his stanza. He went thorough all this trouble to try to romance her and the sex just came easy. He saying was it worth the effort? but i like the point you brought up in this discussion and in the classroom about how he is reflecting back throughout his life. I never thought about that while reading that stanza.I agree with the having sex to make sure he still has it and if he can even do it. I think that it even scares him wondering if he will be able to handle the climax.
RE: Stanza # 14
Posted by: Richardson, Brittany at 4/2/2008
I agree with Natalie about his stanza. He went thorough all this trouble to try to romance her and the sex just came easy. He saying was it worth the effort? but i like the point you brought up in this discussion and in the classroom about how he is reflecting back throughout his life. I never thought about that while reading that stanza.I agree with the having sex to make sure he still has it and if he can even do it. I think that it even scares him wondering if he will be able to handle the climax.
RE: Stanza # 14
Posted by: Richardson, Brittany at 4/2/2008
I agree with Natalie about his stanza. He went thorough all this trouble to try to romance her and the sex just came easy. He saying was it worth the effort? but i like the point you brought up in this discussion and in the classroom about how he is reflecting back throughout his life. I never thought about that while reading that stanza.I agree with the having sex to make sure he still has it and if he can even do it. I think that it even scares him wondering if he will be able to handle the climax.
RE: Stanza # 14
Posted by: Richardson, Brittany at 4/2/2008
I agree with Natalie about his stanza. He went thorough all this trouble to try to romance her and the sex just came easy. He saying was it worth the effort? but i like the point you brought up in this discussion and in the classroom about how he is reflecting back throughout his life. I never thought about that while reading that stanza.I agree with the having sex to make sure he still has it and if he can even do it. I think that it even scares him wondering if he will be able to handle the climax.
RE: Stanza # 14
Posted by: Hudspeth, Tacy at 4/2/2008

I agree with what Julie said.  I think he is questioning whether everything he has done up to this point was even worth what he is expecting the outcome to be.  I think that when he mentions all the material posessions he is relating them back to other things in life, things that are accepted to be so wonderful and fulfilling, that they seem to not actually make him happy and he is wondering if it was all really worth it.

After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along the floor—

These lines can be related back to bigger things such as knowledge in general, societys perception of happiness and material posessions, and then the ending of things which is represented by the sunsets.  He questions whether or not any of those things were worth it in the end.
RE: Stanza # 14
Posted by: Guffey, Lauren at 4/2/2008
I think that when Prufrock questions whether all these material things are worth it, he is finally realizing what is important in life.  As he sees his time slipping away from him, all those superficial material posessions are no longer important.  It's the larger connotations and broader meaning of these objects that are of significant meaning for him.
RE: Stanza # 14
Posted by: Gradolf, Sarah at 4/2/2008
I think that when he finally does realize he is getting older and his life is quickly passing by, Prufrock looks to do all of the things he didn't have the chance or the confidence to do before. He relizes that the things that he thought were important are nothing but superficial things and don't hold significant importance in his life.
RE: Stanza # 14
Posted by: Hasler, Stephen at 4/2/2008
I completely agree, Prufrock knows he is getting older which is shown in this quote, " And I have seen the eternal Footman hold my coat."  The eternal Footman is like the grim reaper, and he has "seen" him.  "I have seen the moment of my greatness flicker", this quote shows how he used to be a big shot, but none of those things matter anymore.  All that is left is to do the things he has never done.
RE: Stanza # 14
Posted by: Kroll, Yasmin at 4/2/2008

The fourteenth stanza includes variations of concrete imaged of the social world - "After the cups, the marmalade, the tea After the novels, and the teacups, after the skirts that trail along the floor" and abstract images of mermaids later on. Each image has a connotation associated with it such as the novel corresponding to literature. Motonimies are often used in this stanza to force the reader to think of knowledge, social elite and sex. This stanza seems like a pivotal point within the poem becuase T. S. Elliot seems to recap the paragraphs which he has already described previously.

RE: Stanza # 14
Posted by: Bae, Michael at 4/2/2008
in the literature book, the magic lantern refers to an old fashioned projector. line 101 is like a view into the past, and the next line are just other pieces of life. as far as the nerves, i have no clue, but it could have something to do with his feelings.... nerves.. feelings.. some connections
RE: Stanza # 14
Posted by: Fatheree, Katherine at 4/2/2008
I remember in the book the footnote said something about the "magic latern" being a projector or something, and I looked it up online and it said that it was the ancestor of the modern slide projector. So I think he's saying that it's like his whole life is flashing before him and being put into perspective for him. Lines 101 and 102 give images of long passages of time kind of drifting along, and the magic lantern just puts more of an emphasis on him reviewing his life, asking if it was all worth it.
RE: Stanza # 14
Posted by: Pellegrom, Matt at 4/3/2008
Personally, i believe that this stanza is a comparison between his youth and his current age. "
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along the floor
This quote represents the end of his youth in the first half because of his symbols of sunsets and doorways; always the ending. The second half represents his current life and attempts to relate to these things, but they all seem old and sophisticated for his character. He is calling out to be youthful again.
RE: Stanza # 14
Posted by: Eikrem, Hannah at 4/3/2008

At first I thought that these few lines were complicated as well. When our class had a dissusion about it, we said that it was about the speaker contemplating asking the question and waiting to be rejected. He has built up his confidence until she rolls over and says "..thats not it at all.." 

In lines 101-102 we also see how time is passing (motonomy). In the middle to the end of this section, lines 105-110 he thinks his insecurities are on the screen in front of him.

Last Stanzas
Posted by: Mazzini, Angela at 4/1/2008
At the end of the poem, Prufrock starts talking about memaids and how they would not sing to him (maybe because he is already dying?); there is a myth that says if a man/sailor hears a mermaid sing they will be hypnotized then they will drown. What i can't understand is the last line "Till human voices wake us, and we drown" if the mermaids are not singing then he is not hypnotized and if a human wakes him he would be safe he wouldn't drown... Am i making sense here? This last part really confuses me... Help!
RE: Last Stanzas
Posted by: Cohen, Stephanie at 4/1/2008

The last stanzas of the poem continue to discuss Prufrock's insecurity,  "Shall I wear my hair behind?"  He questions whether the mermaids (women) will sing (talk) to him.  It is as though throughout his whole life he has been stuck in the "chambers of the sea."  He has been living in this superficial, empty world and feels as though his life has been worthless.  He says that when one eventually becomes old they will be awaken by "human voices" (or reality), but then will sadly die.  He believes that he has suddenly realized the truth about his useless life, but it is too late to change anything.

RE: Last Stanzas
Posted by: Cagle, Courtney at 4/1/2008
This is a great observation. I'm glad that you pointed out that the women are referred to as mermaids and "human voices" is reality. I agree with you that he is living in this superficial world because of the "tea parties" and the want for perfection of his appearance he constantly tells us about. I think the last lines of the poem are the most important because Prufrock sums up everything he has been talking about with a metaphor of mermaids and the sea that we "drown" in. The last line "Till human voices wake us, and we drown," is warning the readers of not living in a superficial world because if we do, and when we finally go back to reality we won't know how to live and "drown" (die).
RE: Last Stanzas
Posted by: Kao, Kathryn at 4/1/2008

I definitely feel that these "mermaids" symbolize real people in society that are so judgemental to the point where it worries Prufrock. There are definate contrasts in the descriptions between the way Prufrock describes himself and the way he describes the mermaids. Before he talks about the mermaids, Eliot writes: "I shall wear the bottoms of my trousers rolled," which contrasts with the mermaids who "[c]omb the white hair of the waves blown back..." Prufrock's description just doesn't compare with the extreme elegance of the mermaids who seem to be these final judges of death. It's like Prufrock feels that he needs to win acceptance from the mermaids or else drown (die) in the water.

RE: Last Stanzas
Posted by: Harney, Casey at 4/2/2008
I think the Mermaids literally symbolize the women of whom Prufrock may or may not have had tea with. I agree with Kathryn in the thought that the mermaids represent vanity and the judgement of society. Prufrock spends so much time making his appearance presentable, but then mermaids do as well. They are known for continuously brushing their hair and many times we envision them in front of large mirrors just gaping at their beauty. I feel these qualities just listed could easily apply to the women in Prufrock's life for the same reason that he himself wants his outward appearance to look nice.
RE: Last Stanzas
Posted by: Fatheree, Katherine at 4/2/2008

I agree with Casey, in that the mermaids symbolize the woman in the society and could very well represent the woman that made the speaker feel so worthless by turning away and saying "that is not what i meant at all." In movies and stuff mermaids tend to be beautiful, vain, and almost untouchable creatures and I think thats wha he's trying to emphasize. A large part of the poem seems to focus on women, and the speaker's eagerness to please them and the mermaids are the perfect figure for this. It says that they are "Combing the white hair of the waves blown back" which gives the same image as the slender fingers from earlier. They are just passing time along with no regard to what they're doing. In the last stanza it says, "

We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown         130
Till human voices wake us, and we drown.
 
" Which is a representation of how the speaker feels about life in general. He has spent his whole life in the "chambers of the sea" just waiting to come to the surface and when he finally does he dies, which is what I think the whole poem is leading up to, death.

 

RE: Last Stanzas
Posted by: Saffer, Anna at 4/2/2008
I completely agree that the mermaids are the women of the society.  But i do believe that the speaker starts to fade away from reality when he starts to talk of hamelt.  He is now in this place, as an old man, observing the untouchable mermaids.  He sees this idea, nowhere close to reality, and that sends him crushing down.  He asks so many questions throughout the story all of which are answered a tthe end of the poem.  He drowns as reality hits him.  He constantly asks should he do this or this or this? but he ends them with a no, he will only fail. 
RE: Last Stanzas
Posted by: Paek, Hannah at 4/3/2008
I agree. I think that the mermaids represent all the women in the society. They were unattainable and out of grasp for Prufrock. There was, like Kathryn said, a definite contrsat in the descriptions between Prufrock and the mermaids. They were the people who made Prufrock feel worthless.
RE: Last Stanzas
Posted by: howard, gabriel at 4/3/2008
Yeah i agree about the mermaids representing all the women in society. The women are so beautiful and he wants something them, but he is frustrated cause he cant have them. He relizes that the women are to beautiful for him and he gives up.
RE: Last Stanzas
Posted by: howard, gabriel at 4/3/2008
Yeah i agree about the mermaids representing all the women in society. The women are so beautiful and he wants something them, but he is frustrated cause he cant have them. He realizes that the women are to beautiful for him and he gives up.
RE: Last Stanzas
Posted by: Merkle, Dustin at 4/1/2008
Throughout the poem we get a since that Prufrock does realize this emptiness, for the most part, he just can't get out of it. He is too hooked on what others think about him. So the last paragraph speaks of his last minute realization, but as you said it is too late. Prufrock talks about him growing old towards the end, and he now knows he certainly is, "I grow old . . .I grow old . . .I shall wear the bottoms of my trousers rolled."
RE: Last Stanzas
Posted by: Duncan, Brooke at 4/1/2008

Prufrock knows he is getting old and he can't do anything about it.    He isn't the young man he used to be.  Prufrock gets tied into worrying about what he looks like: "They will say 'How his hair is growing thin!'"   In the end, the quote Dustin used "I grow old...I grow old..."  shows that he is finally realizing that he is getting older.

RE: Last Stanzas
Posted by: Myers, Andy at 4/2/2008
I agree with brooke. Prufrock feels that he is past his prime which will hurt him in getting the things he wants (i.e sex). He continues to go at it even though he knows he might fail
RE: Last Stanzas
Posted by: Myers, Andy at 4/2/2008
I agree with brooke. Prufrock feels that he is past his prime which will hurt him in getting the things he wants (i.e sex). He continues to go at it even though he knows he might fail
RE: Last Stanzas
Posted by: Hasler, Stephen at 4/2/2008
I agree with Andy.  He is feeling very old and senses his time coming to an end.  This is evident  when the author writes   " And I have seen the eternal Footman hold my coat, and snicker, And in short, I was afraid. "  He wants to feel young again and revitalized through sex.
RE: Last Stanzas
Posted by: Bickwit, Kyle at 4/2/2008
Wow. Very impressive.  I think that it is interesting that the women are called mermaids and theuman voices are reality.  I also beleive that his connection to the sea is profound becasue he has made many metonymys and it appears that he is trying to believe that there is something more to his life than what he is living in.  He is desperately trying to escape from  his reality, and this is why he refers to the voices and reality and how they "wake us and we drown"
RE: Last Stanzas
Posted by: Ide, Gabby at 4/2/2008
In class tuesday Angela brought up a myth that mermaids are associated with. Sometimes a mermaid would appear far off at sea to mariners and lure them out to meet her, only to put him in danger's way and he ends up dying in the end. It is said that mermaids are cursed and lure you to death through a trance from their singing. The fact that he says "I have heard the mermaids singing, each to each. I do not think that they will sing to me" (124-125) means that he realizes he is too old for them to have any sort of interest in him.
RE: Last Stanzas
Posted by: quinn, kristen at 4/1/2008

We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown         130
Till human voices wake us, and we drown

i interpretted this to mean that for far too long his society has lingered in the depths of the sea without true light/meaning in their lives and without insight to the real world- only a chamber of the sea. the girls decorate themselves. he doesnt qualify these people as human- becuase they have not felt and cannot feel. but when the human voices wake us, when they could ever comprehend reality, they would drown in its actual sorrow
RE: Last Stanzas
Posted by: Lasley , Hannah at 4/1/2008
I think Elliot is deffinately commenting on society as a whole by the end of the poem. He seems to be making the point that society has perhaps lost what was orginally important and now, simply, "lingered in the chambers of the sea". He also points out that if people really faced the way things are they would essentially, "drown" in the reality that they find. I also agree that Elliot might be making the point that society has lost the truth, feeling, and meaning that they should find in life. Instead life, at least for Prufrock, has amounted to fearing how he is precieved by others and looking at life as a journey towards death rather than an adventure to live.
RE: Last Stanzas
Posted by: Edmonds, Brian at 4/2/2008
I agree totaly that Elliot is commenting on society with the last stanzas. On a more literal sense, I think that the last stanza represents Prufrock giving up on his final hurrah. He does not think that they will buy his act and "sing with him." He gives up and "drowns."
RE: Last Stanzas
Posted by: inwood, caitlin at 4/2/2008
At first Prufrock is more clear as to what he is referring to, but in the last stanzas his imagery becomes wild, with mermaids to the point where he doesn't even know what he is talking about and is just confused with life and his situation in general.  Also he refers to Hamlet a few times in the poem, and I think they are relatable because they are both confused, unsatisfied, and hesitant to do things, which is summed up in the end.
RE: Last Stanzas
Posted by: Paek, Hannah at 4/2/2008
I agree. Just like Fitzergald in the Great Gatsby, TS Eliot comments on society and how it has lost sight of what used to be considered important. When the pronoun "we" is used in the line "we have lingered in the chambers of the sea till human voices wake us, and we  drown" (129- 131) it seems as if Eliot is taking us, the readers, down with him.
RE: Last Stanzas
Posted by: Harney, Casey at 4/2/2008

I love these last couples stanzas. I feel that the "seaweed red and brown" does not just describe the youthful mermaids but follows back up with Prufrock. We have previously seen Prufrock's hair color slowly deteriorating. Who's to say that the colors "red and brown" were not once his hair colors. If they were we could conclude that they used to describe him, but now they can only be considered for the more elegant and lavish women. aka the mermaids.

Any thoughts? Mr. Kent said we can't be wrong. :D

Time
Posted by: Cohen, Stephanie at 4/1/2008
Time is an important element of the poem, as Prufrock questions whether or not he should enter the party because of his insecurities.  He also expresses that he feels as though he has wasted all his time on these "worthless parties" where he can never discuss significant things and feel comfortable. "And indeed there will be time
To wonder, "Do I dare?" and, "Do I dare?" Time to turn back and descend the stair"  Each moment he is questioning the uselessness of these parties and whether or not he should go. He expresses that there is always time to prepare to enter these parties and to question their fakeness, "There will be time, there will be time To prepare a face to meet the faces that you meet." However, he still feels as though he has not lived his life to its fullest.  Time is also used at the end of the poem as Prufrock has let his life pass by "Till human voices wake us, and we drown."
RE: Time
Posted by: Kao, Kathryn at 4/1/2008

I also believe that time is a relatively important element in the poem that is emphasized by T.S. Eliot. Prufrock obviously spends so much time worrying about his physical appearance such as hiding his balding head and wearing acceptable clothes that he is withering away. The image Eliot creates from: "Though I have seen my head [grown slightly bald] brought in upon a platter..." is very depressing and it reflects the character's persona. Prufrock feels that his life has gone to waste as he keeps questioning himself: "Would it have been worth while..." throughout one of the last stanzas.

Near the end Eliot writes: "I grow old … I grow old …" emphasizing the fact that time is passing by and that he still feels insecure about himself questioning: "Shall I part my hair behind? Do I dare to eat a peach?" Although, it is sad that Prufrock is still insecure, I feel angered at the fact that he still hasn't learned from his experiences and grown out of that stage. It is like he always sees the glass half empty.

RE: Time
Posted by: Lasley , Hannah at 4/1/2008
Time is deffinately an important element throughout the poem. Time is what steals Prufrock's life from him, time is what brings him closer and closer to death, and time is something that Prufrock can never regain. Through out the poem Prufrock wrestles with the idea of having to deal with time passing and his life amounting to nothing as he quesitons the actions he takes and those he shys away from, "Would it have been worth it". Time is what causes him to face the fact that that he is growing older as Elliot writes, "I grow old... I grow old..." and ever closer to death. As Kathryn points out, even after all this time of worrying about how he looks, how others precieve him and his apperance, he relizes that his life has been somewhat useless and still feels he is useless, claiming , "I do not think they [the mermaids] will sing to me". Prufrock, like many others, has extreme difficulty facing the fact that time passes and life amounts to what you do with that time you are given.
RE: Time
Posted by: Redmond, Kristen at 4/1/2008
Prufrock has dificulties deciding what actions he should take and is paralyzed by his inability to act.  The only thing in Prufrock's life that is not paralyzed is time.  Time continues no matter what Prufrock does and he cannot sop it.  Prufrock says "I grow old . . . I grow old . . ."  He is aware, as kathryn stated, that time is constantly passing him by even during the times when he is questioning what actions he should take.  
RE: Time
Posted by: Kroll, Yasmin at 4/2/2008
The author wears the bottoms of my trousers rolled (121). The rolled trouser, a popular bohemian style at the time, is a pathetic attempt to ward off death. He is trying to revive his youth by 'rolling his trousers' which would then let him forget the fact that he is growing old and therefore unseccussful in his mission of sex.
RE: Time
Posted by: Jenson, Miles at 4/2/2008
I dont think the poem focuses on time, but rather the productivity or self-destruction that can result from it. Prufrock focuses on how he has slipped away from his most desireable stages in life and has now fallen into a kind of shell of what he used to be. I think that time is an afterthought in this piece rather than the main focus, simply because the poem entertains more of a regretful state of mind. Time is what Prufrock wasted, and thats what he is so concerned about, not the fact that he has made it so far, but rather the fact he has come so far and has nothing to show for it in his opinion.
RE: Time
Posted by: Fatheree, Katherine at 4/2/2008
The whole poem revolves around this passage of time and the speaker questioning whether or not his time has been wasted. It almost seems as if the speaker just realized he was old, because it seems like he is all of the sudden realizing all these insecurities like the bald spot on his head, and the whole sex deal we talked about today. The part that stuck out for me was when he said "I shall wear white flannel trousers, and walk upon the beach", that line seemed to be just kind of out of place. The line itself has great imagery though because it makes me think of my grandparents and cute old couples. But everything other reference to age gives an image of decay and gross.
RE: Time
Posted by: Massey, Kate at 4/3/2008
I noticed that line in particular, about walking on the beach in white trousers. I thought it was really weird and out of place to say that, and in the stanza it kind of is, but in the context of the rest of the poem it really makes sense. Prufrock is old, and getting weaker and thinner, and losing his touch with things like walking into rooms and asking women to have sex with him, etc. But he is also the type of person  you would imagine might do something like a white-trousered scene on a beach with a younger woman just because he is insecure, and maybe even a bit out of touch.
RE: Time
Posted by: quinn, kristen at 4/1/2008

time is arguably the most important thematic element in this work simply becuase it is referenced so often. one of my favorite parts is:

There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to murder and create,
And time for all the works and days of hands
That lift and drop a question on your plate;         30
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.
here listed are the typical ways we spend our time- the things we may think of to do if we have ample time. here the narrator stresses how much time we have but at the same time how precious time is and should not be wasted. he has seen time(life) taken away so quickly , and now he sees those spending meaningless minutes. i feel like here is almost mocking them. but the narrator himself is apprehensive and indecisive- he knows time allows for a hundred hesitations and he is now more passive than ever in his internal journey.
RE: Time
Posted by: Colcord, Carrie at 4/1/2008
Not only is this about time, but about how fleeting time is to him. Prufrock, towards the end of his life, is surrounded by the yellow fog described in the beginning of the poem, representing decay. "And I have sen the eternal Footman hold my coat, and snicker, / And in short, I was afraid," (line 85), the eternal Footman represents death for Prufrock, and he says he is afraid of death. He is afraid of people noticing that he is getting closer to his death and talks about becoming old because he rolls his trousers. eats peaches and wears white flannel on the beach. He is scared of time finally coming to an end for him. 
RE: Time
Posted by: Stribos, Michael at 4/2/2008
Time is the basis for Prufrock's insecurities. He questions whether time has passed him by, or is he still young. He also talks about death, but I think it has a different meaning. It could mean that he is not young enough anymore to meet new ladies. He says that he is balding, and is probably self-conscious.
RE: Time
Posted by: Bickwit, Kyle at 4/2/2008

Yes, this is what we talked about class. (michael is in my class). I agree, it seems, to me, that Elliot is using a caracter who is obsessed with physical aspects to portray to society the emportance of self-confidence, to a certain extent.  I think that Prufrock is self-conscious, but he is also over-stimulated by his mental attributes.  I think that ellit is trying to portray, that "reality" (the voices) is always there to "drown us" from imagination and bring us back to earth so that we do not get captured by the unimportant parts of life, such as age/.

RE: Time
Posted by: Harney, Meredith at 4/2/2008
I agree with your idea that Prufrock is insecure, however, I don't think time is the reason for those insecurities. Prufrock is insecure because that is his personality, it seems that he has never been sure of his confidence with women. Time is putting pressure on him, which increases his self- conciousness because it makes him finally face his fear. If Prufrock ever wants to be with a woman, he has to hurry up before he is finally too old to do so.
RE: Time
Posted by: Guffey, Lauren at 4/2/2008
I disagree that Prufrock was always insecure.  He describes a time he labels, "his moment of greatness".  I think he has trouble accepting his old age, because he isn't able to be the man he used to be.  He thinks if he redeems himself through sex, he could be the man he once was.  I think it's time that has made him insecure.  In his old age, he is thin and balding, which makes him insecure.
RE: Time
Posted by: Fox, Natalie at 4/2/2008
I agree. I think Prufrock sees time as his ultimate "enemy". It's either going too fast or not being used properly. Time appears to be the main basis of all his anxiety as well. If time was not a factor, the entire poem wouldn't have been written.
RE: Time
Posted by: inwood, caitlin at 4/2/2008


Time is what Prufrock struggles with throughout the entire poem and how he doesn't think people have used it to their advantage.  I think he also feels regretful that he hasn't accomplished more even and he is constantly reminded of this by his balding head.  He is so restless that it seems like he spontaniously chooses some woman to sleep with with the intention of fullfilling himself and releasing his insecurity, but it only backfires because she rejects him.

RE: Time
Posted by: Bae, Michael at 4/2/2008
im thinking the theme has a lot to do with rebirth. i was thinking like with the sex he wanted to have a kid, but then we didnt really talk about it in class, so maybe not. just a thought eager for elaboration.
RE: Time
Posted by: TORREY, KELLER at 4/2/2008
no bae bae i totally agree. i htink hes so unsatisfied with his life (in a sense) that he wants to have a kid so it can be everything he wasn't. this also goes back to the whole rebirthing topic! 
RE: Time
Posted by: Hudspeth, Tacy at 4/2/2008
I agree with Stephanie and everyone else, I think that time is probably the most important symbol in this poem.  Throughout the entire poem Prufrock is struggling within himself with his age and the fact that he is growing older.  This is not only shown through his appearance but his thoughts as well.  One of the most vivid images to me of his fear of growing older was when he refered to himself as the crab, crawling backwards, erasing years of his life.  He so longs to be young again and tries so hard to at least feel younger again (having sex with the woman and gaining his youthful vitality back) but in the end he is still growing bald, moving towards his eventual death.
RE: Time
Posted by: Pellegrom, Matt at 4/3/2008
Time is the ultimate theme in this poem because every other symbol relates to the passing and importance of time. In Prufrock's case, he is disgusted by the passing of time and how it has ruined his life and tainted his appearance. Also, he discusses time every time he is about to enter a place where probable dates are. He relates this time to every other time and says that his life as it is has become routine and every time he gets with a woman is routine. He questions the morality of his situation, but never quite solves his dillema.
RE: Time
Posted by: Myers, Cameron at 4/13/2008
Time is an important, if not the most important, element in this story. It is up for debate on exactly what is occuring during this poem, but it appears as though he is thinking of going to a party of some sort, but is debating internally on whether to actually go inside. He feels old and wethered, and he begins to look back on his "wasted" life. Time has finally caught up to him and he is realizing that maybe he doesn't have much of it left.
Reference to Dante's Inferno
Posted by: Cagle, Courtney at 4/1/2008
I don't know much about Dante's Inferno besides what the footnote said that this character, Guido, was talking about "replying to someone who would ever return to the world..But since no one returns from these depths alive..." I think the reference to Dante's Inferno is very important (or else the poet wouldn't have included it at the beginning of his own poem). I think the poet chose to put Guido's words in the poem because both the things Guido and Prufrock "warn" the reader about is not living in reality or "the world" and warning against superficiality. I know this reference to Dante's Inferno is important but am not quite sure how it ties perfectly into the poem?
RE: Reference to Dante's Inferno
Posted by: Merkle, Dustin at 4/1/2008
I think that the reference to Dante's Inferno is a foreshadowing of what is to come. The poem itself shows the emptiness of life, and it seems to me that Dante's Inferno is the result of this type of life empty style. The poem is a warning, and so is Dante's Inferno.
RE: Reference to Dante's Inferno
Posted by: Resnick, Lindsay at 4/1/2008
I also don't know very much about Inferno, but I know that it is about a man who is stuck in Hell and can't get out.  In this poem, Prufrock seems like he is stuck in his own version of Hell.  He is stuck in this body and mind that he doesn't want.  He wants confidence to talk to the women, he wants to be younger, and he doesn't want to be spiritually empty.  He knows that he doesn't have much time left, and that he can't change the way he is.  That's why he's stuck in Hell.
RE: Reference to Dante's Inferno
Posted by: Lasley , Hannah at 4/1/2008

It was really interesting to point out the fact that the reference in the begining of the poem to Dante's Inferno ties into the poem in the fact that Prufrock is living in his own version of Hell. Throughout the poem Elliot creates the image of this ageing man, who's actions are somewhat controled by the opinions of those around him, and who is tormented by his indicisive nature. In a sense he is trapped as Lindsay put it, in the sense that death is growing ever closer and he is stuck in monotonous behavior that amounts to no real significance in his opinion.

RE: Reference to Dante's Inferno
Posted by: Duncan, Brooke at 4/1/2008
I agree with Lindsay that the reference to Dante's Inferno parallels with the poem in the sense that Prufrock is stuck living in his own hell.  He gets caught up in the world around him and the stereotypes.  He doesn't like his body and soul.  But what kills him is that he knows that he can't change himself.
RE: Reference to Dante's Inferno
Posted by: Redmond, Kristen at 4/1/2008
It does seem as if Prufrock is entering into his own hell.  Throughout the poem he seems to get lower and lower into Hell.  The poem starts out at the sky, and then desends to street life, and then down stairs during a party, and then at the end of the poem he decends to the sea floor.  Prufrock goes down lower and lower and as he does he continuously feels worse and worse about himself.   
RE: Reference to Dante's Inferno
Posted by: Myers, Andy at 4/2/2008
it also seems like prufrock is trying very hard to get out of his own personal hell.  He continues to struggle with it though as he continually grows older.  He wont get out of hell because he doesnt have anytime left in which to do so.
RE: Reference to Dante's Inferno
Posted by: quinn, kristen at 4/1/2008
as i comprehend dante's inferno i see it as opening to the audience  the narrators damned status and his sotry / internal journey that he decides to share with us. he knows he cannot come back from where is now and thus does not hold back his feelings.
RE: Reference to Dante's Inferno
Posted by: Stedman, Sarah at 4/2/2008
I think it's interesting that he left the excerpt from Dante's Inferno in Italian. I don't know if there's any significance to this other than it being the original language of the piece, but how many people in America in 1917 could understand Italian?
RE: Reference to Dante's Inferno
Posted by: Bae, Michael at 4/2/2008
i thought that the reference was to show that in both cases, we are being taken on an adventure with the narrator. it does interest me that it isnt expected to be in this world because no one can return. it was written in italian which might have been the original language dante's inferno was written in or maybe just placed there for a fancy effect. or possibly the character in the story is italian or the author.
RE: Reference to Dante's Inferno
Posted by: Edmonds, Brian at 4/2/2008
I believe that the reference to Dante's Inferno is very important. I think that the Hell in Dante's Inferno can represent a point of no return similar to the one that Prufrock is debating entering. I believe that the Prufrock's situation in his mind is just as tough as entering hell.
RE: Reference to Dante's Inferno
Posted by: Bell, Jack at 4/2/2008
If you look at the translated version of the excerpt from the inferno, Guido is telling his story, from hell, to someone else who is with him, and will never return to Earth (beause nobody returns from hell). Guido says that he would BE NERVOUS to tell his story to someone who had the possibility of bringing it back to Earth because he would fear of becoming 'infamous'.
So, Prufrock is telling his story to this visitor who has come with him (like a patient etherized upon a table=dead, not physically there, never coming back), from this awful hell of a life of his. Prufrock would not be confiding in this visitor if they were a living person on Earth--he doesn't want everyone to know of these nervous, inadequate feelings he has about himself because he would fear being viewed as, well, inadequate.
Now, this would all tie back into the whole superficiality deal--"preparing a face to meet the faces that you meet"
Is it a warning? I think it's  a warning not to let yourself become like Guido or Prufrock--damned, pathetic, and superficial.
RE: Reference to Dante's Inferno
Posted by: Balfour, David at 4/2/2008

 

RE: Reference to Dante's Inferno
Posted by: Balfour, David at 4/2/2008
The reference to Dante's Inferno show similarities between Prufrock and one of the damned characters in the novel. The charachter in Dante's Inferno will only tell his story because he can never escape the from Hell and return to the human world. He says that if he could return "this flame would shake no more" meaning he would not talk anymore. This is similar to Prufrock in the way that Prufrock is very reserved and unsocial and will not tell his story or his thoughts to the ladies because he thinks he has something to lose. He thinks that if he tells the ladies his true intentions he can not have sex with them. If Prufrock tells them his true intentions he will lose his chance to have sex with them and be forever damned in the Inferno with the others.
RE: Reference to Dante's Inferno
Posted by: Paek, Hannah at 4/2/2008
In the reference to Dante's Inferno, a hero descends into the nine successive levels of hell. I think this reference foreshadows Prufrock's own descent into his own hell. Throughout the poem, Prufrock leads the reader on a downward journey, from a skyline to street life, down stairs, and down in the sea floor. Prufrock continues to feel worse about himself in these situations, like in line 74, "scuttling across the floors of silent seas." That line shows the self- pity that resides in Prufrock.
Inability to Act
Posted by: Redmond, Kristen at 4/1/2008
I think another major theme in this poem is prufrock's inability to act.  He has trouble making decisions and taking actions.  He constantly is questioning whether or not he should do something.  In the beggining he wonders "Do I dare?" and, "Do I dare?" / Time to turn back and descend the stair.  he can't decide if he should stay or if he should leave and walk down the stairs and have people notice his bald spot on his head and his thin arms and legs. Towards the end he questions whether he should "dare to eat a peach" or not when he is in front of the women.  Prufrock is unable to sort through his mind and make decisions about things as simple as eating a peach.
RE: Inability to Act
Posted by: Resnick, Lindsay at 4/1/2008
I agree.  (I know you hate when we agree, Mr. Kent, but sorry.)  I think that Prufrock is unable to make decisions because he does not approve of himself.  He thinks he is lower in status than the women he wants to talk to... he thinks, "they'll never go for a bald guy like me!  they'll talk about my thinning hair!"  I also think that he is mad at himself for not having tried to change the things that he doesn't approve of at a young age.  He knows time is running out, and he is too old to change now.  He is so afraid of what everyone will think of him if he does anything, that he doesn't do anything... and here we are reading this poem about him not doing anything...  we're all thinking about him and why he is so indecisive.
RE: Inability to Act
Posted by: Hudspeth, Tacy at 4/2/2008
I agree with Lindsay.  I think that because Prufrock believes that he is past his prime in life that there is basically nothing for him to look forward to anymore, therefore he doesn't really know what to do with his time and can't make up his mind.  He feels insecure with himself (his bald spot and age) and doesn't want anyone else to notice that about him.  He is also thinking back on his life questioning whether or not anything he did was worth it in the end and therefore if anything he will do in the future will be worth it either.
RE: Inability to Act
Posted by: quinn, kristen at 4/1/2008

i struggle with this part too. i thought the narrator truly understood the depth of life and how precious its time is, yet he spends his time with indecisiveness and passivity. he worries over what people will say about  him. to me hie is way to preoccupied with the thoughts of others. he considers himself  very low (like how he dresses conservately).

could somebody explain why someone who seems to value time more than others wastes so much time fretting over his insecurities and possible gossips

RE: Inability to Act
Posted by: Guffey, Lauren at 4/2/2008
Everyone seems to be mad that Prufrock is wasting his time by being indecisive.  I think Eliot wants his audience to feel this way, so that we see that we should value our limited time, and not be like Prufrock.  I think this is what we were supposed to take away from the poem.
RE: Inability to Act
Posted by: Winograd, Joe at 4/2/2008
I agree that Eliot is doing this on purpose. He wants the reader to feel sorry for Prufrock. What Eliot does is focus on a small amount of time (I think that everything happens in a split second of time). He wants the reader to realize how much thought happens in a split second, because it shows how tedious Prufrock's thinking is.
RE: Inability to Act
Posted by: Balfour, David at 4/2/2008
I agree with Joe that it happens in a short amount of time. All these thoughts can go through someones head in a few seconds and Eliot is trying to convey this and show the complexity of Prufrock's reasoning. Prufrock wants the reader to feel sorry for him because he is old and he can't get women anymore and he gives justification for this sympathy in his thoughts.
RE: Inability to Act
Posted by: Lyons, Kristy at 4/3/2008
I completely agree with you, Guff. Whenever I read something starting off with "love song", it is normally about a guy or a girl swooning for the affection of their significant other. In this poem, however, it is a complete negation of what we first assumed the poem would turn out to be. We were all expecting a tale of a man and his rants about his one true love. Yet in this poem, its about a man is in search of sex rather than love and he is consistently reluctant to act.
RE: Inability to Act
Posted by: Duncan, Brooke at 4/1/2008
I think this is a major theme in the poem too.  Prufrock's inability to act is apparent throughout the poem.  He debates whether or not to go into the room full of women or turn around and walk away.  But with walking away he is afraid they will see his bald spot:
Time to turn back and descend the stair,
With a bald spot in the middle of my hair—        
[They will say: “How his hair is growing thin!”]
He overthinks everything and it begins to take over his life.  This insecurity of his soon affects him with the simplest decisions in life.
RE: Inability to Act
Posted by: Mazzini, Angela at 4/2/2008
I think that Prufrock's inability to make decisions comes from him being so self-concsious about becoming old,  for example when he says he has "seen the moment of {his] greatest flicker." That makes me think that when he was young he was sure of himself but as he grew old he became more interested on what the people say and think of him, especially women. In class we talked about he wanted to feel young again by being with a woman, and when he finally is he says "
I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all"
but then the woman seems to be dissapointed somehow. That is the part i don't get, after he finally acts and comes back from the dead, why does the woman act as if something bad/dissapointing had happened?
RE: Inability to Act
Posted by: Resnick, Lindsay at 4/2/2008
Remember, this whole poem is Prufrock's imagination.  I think that the woman (in his mind) acts this way because this line seems to be taking place after she and Prufrock have had sex.  When he says that line, he believes he has regained his vitality, or "come back from the dead".  The woman he is with says "no, no you haven't".  The reason why Prufrock is thinking all of this is because he is so insecure about himself, and he is afraid that if hea says that after sex, the woman he is with will make fun of him or ridicule him.
RE: Inability to Act
Posted by: Stedman, Sarah at 4/2/2008
It's really annoying that Prufrock never goes in. The entire poem, he's deciding whether or not to go in, and you expect him to make a decision, but he never does. It's also strange that he keeps talking about the passing of time.. how long exactly was he on that doorstep?
RE: Inability to Act
Posted by: Layman, Virginia at 4/2/2008
I also agree. Prufrock stands on the stoop of this house for a very long time, wonering if he should do what he desperatly wants to do. But he is so worried about the women inside seeing his bald spot, he doesn't dare turn down the stairs. I think that a big part of this is whether he is still young or not. He wants to go inside and see, but he is too scared. However, if he turns around and leaves, then his bald spot will be exposed, confirming the women's assumptions that he is old.
RE: Inability to Act
Posted by: pope, brittany at 4/2/2008
ya i agree it was rly annoying like did he end up with someone? i rly have no idea
RE: Inability to Act
Posted by: Jenson, Miles at 4/2/2008
Instead of Prufrock's struggle centering around his inability to make decisions, I think the main focus here is the fact that his anxiety and insecurities produce a kind of self preserving procrastination. He procrastinates about these things not because he can't decide between them, but because he does not know how he will deal with them. He knows his choices, he's just insecure about what to do with them when a decision is made, stemming from his own insecurities about his physical appearance, and inner integrity.
RE: Inability to Act
Posted by: Richardson, Brittany at 4/2/2008
i agree with you on that is is a major theme of the poem. He is indecisive starting in the beginning with standing outside the womens door wondering if he should dare enter. Then he starts thinking about what he is going to say when he enters. I think prufrock wants us to feel these emotions and feel how uncomfterable he is feeling. He wants us to think of our flaws and how nervous we would be to do something in which makes us uncomfterable.
Lines 112-120 (stanza 15)
Posted by: Colcord, Carrie at 4/1/2008

No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,         115
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.
Stanza 15 (in the link Julie used above) stuck out to me and seemed pretty important to the poem. He pretty much describes his role in society as "an attendant Lord" and acknowledges the fact that he never was meant to be anyone important, like Prince Hamlet. The tone of this stanza was a little bit, but not much, more positive than previously in the poem especially with the phrase "glad to be of use". He looks at his life-time personality objectively and sees that he had an influence on something or someone when he says "To swell a progress, start a scene or two / advises the Prince; no doubt an easy tool". But he also went overboard with somethings, to the point where he calls himself a fool.

RE: Lines 112-120 (stanza 15)
Posted by: Zhu, David at 4/2/2008
I believe this stanza is Prufrock making a literary reference to Shakespearian literature. I think the role of "attendant lord" and who "[advises] the Prince" is more likely an allusion to Polonius, (who's mentioned earlier in the novel, with the crab). In accordance with this reference, there is also an element in Shakespearian literature known as the "Fool" (explaining why its capitalized in the stanza) Here Prufrock states that he's all high and mighty in his mind, but sometimes too caught up in his thinking, puts him on the verge of becoming a fool at times.
RE: Lines 112-120 (stanza 15)
Posted by: Kao, Kathryn at 4/2/2008
I definitely felt that this stanza is really important to the poem. It takes on a shift in tone as Prufrock stops contemplating past events to focus on his own character. In this stanza, Prufrock reveals to the reader his present condition and insecurities. He starts: "No! I am not Prince Hamlet, nor was meant to be..." Most readers can relate to this line since Hamlet is a Shakespearean play we read last year. Prufrock suggests that all the elements that characterize Hamlet do not exist within himself. Unlike Hamlet, Prufrock is not passionate and bold. Although Prufrock says that he serves this high and mighty "Hamlet" as an attendant lord Prufrock still shares some qualities that Hamlet posseses, such as his reflective, indecisive, and hesitant nature.
RE: Lines 112-120 (stanza 15)
Posted by: Layman, Virginia at 4/2/2008
I think that he doesn't go overboard, he is just emphasizing how unimportant he thinks he is. He is revealing his low self-esteem to us here. In this stanza, he is telling us how he doesn't fit in, how he was not meant for this society. He does not want to be, and is not Prince Hamlet, and he tells us that he was not meant for this society in that line. He wants to be in a lower class, I think.
RE: Lines 112-120 (stanza 15)
Posted by: Paek, Hannah at 4/2/2008
I think that the parallelism between Hamlet and Prufrock is important. Just like Prufrock, Hamlet is indecisive and anxious about future consequences. The line "nor was meant to be" is a line that questions the worth of existing, and is also a parallel to Hamlet's famous "to be or not to be" line. The "attendant Lord" is somebody that Prufrock does not see as a hero, just like Hamlet.
Ocean motif
Posted by: Miles, Melissa at 4/2/2008
Throughout the poem Eliot makes references to the ocean.  In the very first stanza oyster-shells; in stanza 11 "scuttling across the floors of silent seas", and the last 4 stanzas with the mermaids and such.  I have tried to think about what, if any, significance this all has.  Anyone have an idea?  Maybe the sea signifies the unknown which seems reasonable since Prufrock is constantly asking questions... I also find it interesting though that Eliot says the mermaids are "combing the white hair of the waves..." (127) because when people age their hair turns white... and also old people usually move to Florida to be near the ocean haha.
RE: Ocean motif
Posted by: Stedman, Sarah at 4/2/2008
I think the ocean also represents change, and it could be connected to time as well, or age. I noticed too that he mentioned the ocean a lot, so it must be important, but I'm having a hard time with it as well.
I thought that line was interesting, because I assume the mermaids represent the women in the building. They are "combing the white hair of the waves" (perhaps they are getting old themselves, or they are fraternizing with older men, or something of the sort), yet he is nervous about talking to them because he is old.
RE: Ocean motif
Posted by: Harney, Meredith at 4/2/2008
I like the idea that the ocean motif represents the passage of time. The ocean is constant, and no matter how hard you try it never stays the same. It is always changing. The mermaids are "singing, each to each"- ignoring him just like the women in the poem. He doesn't think they will sing to him which reinforces the feeling of insecurity that he has when it comes to women. I think the mermaids might symbolize vanity and the shallowness of the society that Prufrock lives in.
RE: Ocean motif
Posted by: Zhu, David at 4/2/2008
I agree with Meredith. I too think that the mermaids my symbolize the shallowness of the society. However, with the ocean motif, I see the ocean as something that will never change...unless its due to pollution or what not. If viewed from this point of view, in accordance with his flashbacks, Prufrock can be seen as a man who longs to return to his youth, and STAY that way like the ocean.
The quote below shows his longing for youth again, and maybe by parting his hair he would make himself look younger.
"I grow old … I grow old …         120
I shall wear the bottoms of my trousers rolled.
 
Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each."
RE: Ocean motif
Posted by: pope, brittany at 4/2/2008
the ocean also represents peace, like in connection to how the mermaids sing sailors to death~at peace. Also interesting about vanity. I think the mermaids coming thier white hair makes a reference to them almost in denial about thier age. which i think he is now in a place where he in coming out of denial about getting older.
RE: Ocean motif
Posted by: Gradolf, Sarah at 4/2/2008
I agree i think that the ocean represents a peaceful pasing of time. Like you said the mermaids sing the sailors to death, but manage to do it peacfully. I'm not sure about the mermaids themselves being in doubt of their old age, but i definately agree that he is coming to terms with himself getting older.
RE: Ocean motif
Posted by: TORREY, KELLER at 4/2/2008
i htink your WRONGGGGG. Although the sea is peaceful, i htink its a sort of cover up of his age. like hes not coming to terms with it but more like avoiding it and masking his true feelings.
RE: Ocean motif
Posted by: Fatheree, Katherine at 4/2/2008
I like what Meredith said about the mermaids being shallow, because in a lot of movies mermaids are beautiful vain and in a way untouchable and it does seem to be a reference back to the woman who made him feel worthless. The ocean represents the passage of time because the ocean is always there and always sees new ways that come and go. The mermaids just kind of push them along and carry them to their death, which is where I think the entire poem is leading us to. The ocean is like a parallel to his life in when he says, "
We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown         130
Till human voices wake us, and we drown.
" because its like he lives the whole life basically just waiting to die, waiting to be brought up from the "chambers of the sea."
RE: Ocean motif
Posted by: Massey, Kate at 4/3/2008
I think that the ocean represents, not quite the passing of time, but more like the insignificance of time in the greater scheme of things. This idea reinforces the insignificance of specific people in the world (we're born, we die, and the ocean never notices) and the overwhelming okay-ness of that. We may be small and not matter much, but with such a big, important ocean to compete with, how can we expect to matter? All in all, I think the ocean kind of trivializes everything that happens in the poem (which, I may mention, is the whole point Eliot was trying to make - the trivial nature of pretty much everything).
RE: Ocean motif
Posted by: Layman, Virginia at 4/2/2008

haha i like your bit about the retirement, melissa. I was thinking...and I could be totally wrong about this...but the mermaids in the Odyssey made people jump over the edge of the ship and drown...right? Thats just one of the things that I noticed.

RE: Ocean motif
Posted by: Kim, Billy at 4/3/2008
I agree with Virginia in that the narrator does allude to Homer's sirens in the Odyssey. They were mythical creatures that seduced sailors with their enchanted music. I thought that he was in a position where he already took the bait and was about to die because in the final stanza he states that human voices wake him up however he drowns at the end.
RE: Ocean motif
Posted by: Myers, Cameron at 4/13/2008
I feel like that ocean represents not only age but experience. One's lifetime can be represented by the ups and downs of the tides and the waves. The ocean can be rough or calm, just like life experiences. But it is vast and open, representing the oppurtunity that life gives us. He is looking back at his life during the poem, and it would make sense that the ocean is alluding to his past experiences.
Allusion to Hamlet
Posted by: Guffey, Lauren at 4/2/2008
Hamlet is brought in many times throughout the poem.. I think Eliot is comparing Prufrock to Hamlet, in that they are both indecisive.  Though Hamlet is contemplating death, and Prufrock is merely contemplating whether or not to go inside or have sex, I believe there is a connection between the two.  Eliot is perhaps commenting on how extreme Prufrock's indecisiveness is, by comparing it to Hamlet's decision of whether to kill himself or not.
RE: Allusion to Hamlet
Posted by: Winograd, Joe at 4/2/2008
Although T.S. Eliot is comparing Hamlet to Prufrock, Prufrock is saying that he in not Hamlet, but merely a fool. Yes, they both are very indecisive characters, but he even says himself, "[I am] full of high sentence, nut a bit obtuse." This shows that there are contradictory comparisons between the character and the author. Eliot is showing Prufrock as a hyprocritical character, because it helps to build up his sense of indecisiveness.
RE: Allusion to Hamlet
Posted by: Ide, Gabby at 4/2/2008
You must remember that Hamlet is a huge coward. Prufrock isn't a coward, he just cares too much about what the women think of him and the way he looks and such. "Deferential, glad to be of use,/Politic, cautious, and meticulous;/Full of high sentence, but a bit obtuse" (115-117) These things are all characteristics of Prufrock that Hamlet lacks.
RE: Allusion to Hamlet
Posted by: Kim, Billy at 4/3/2008
I agree that Hamlet's indecisiveness was the key point in Eliot's allusion. Hamlet was indecisive about whether to kill his uncle or not and he took too much thought and no action. The poem is the same because the narrator is obviously too preoccupied with outer aspects of himself-too much thought.
The Speaker's Revelations, and movements
Posted by: McIntyre, Arielle at 4/2/2008
In the first half of the poem, the speaker displays anxiety in entering the party, fear of not impressing which translates to a deeper fear of growing old. The change in the character of the speaker throughout the poem are essential to the understanding of the poem, because this poem is a question. The speaker, throughout this poem, is trying to answer "an overwhelming question" (Eliot 10) we can see this in the repetition of " And should I then presume? And how should I begin?" After this period of fear, questioning, but also some self-reaussuring "there will be time" (Eliot 26), there is a period of REFLECTION, on past memories, of past thoughts, a reflection on his life "For I have known them all already, known them all:— Have known the evenings, mornings, afternoons, 50 I have measured out my life with coffee spoons" he falls back into his memories, and also a feeling of lust, but not lust for women, lust for women and sex as a symbol of youth nd vitality "It is perfume from a dress 65 That makes me so digress? Arms that lie along a table, or wrap about a shawl" Then, while waiting to get up the courage, he entertains the thought of realizing his goal but with a negative outcome the women lying on the bed saying “That is not it at all, That is not what I meant, at all.” This mental defeat moves him towards his next tone in the poem, bitter acceptance "No! I am not Prince Hamlet, nor was meant to be" "Almost, at times, the Fool" He then entertains the idea of being old, transitioning with, "I grow old … I grow old …" into "I shall wear the bottoms of my trousers rolled." "I shall wear white flannel trousers, and walk upon the beach." He speaks of the mermaids, who are a parallel to the women at the parties, they represent youth, but he knows he has lost youth, because he says, "I have heard the mermaids singing, each to each. I do not think that they will sing to me." We think he might end in acceptance, but in his last sentence, the slow cadence of the poem is broken, and the soothing, smotth diction contrasts abruptly with, "Till human voices wake us, and we drown." The question is still unanswered the word drowning evokes feelings of panic and of confusion, signaling that the speaker is still wrestling with the question. We also know the poem was brought full circle because of the word "human" and the hint at death In the opening stanza from donte's inferno, the speaker was less human, more viewing the human world from a third person perspective, then he went on a journey to the human world, and the poem took on the feel of a man at a party feeling emotions himself, and speaking in first person about this personal experience at the end the use of "human" seperates the speaker out into that 3rd person place from the beginining, of somone from hell,and because of the hint at death in the end, it suggests that he returns there.
Importance of Imagery
Posted by: Edmonds, Brian at 4/2/2008
Throughout the poem Eliot uses a lot of imagery to add to the feeling of the poem. For example, "The yellow fog that rubs its back upon the window-panes, 15 The yellow smoke that rubs its muzzle on the window-panes." My question is what does this imagery signify and how does it contribute to the overall message of the poem?
RE: Importance of Imagery
Posted by: Bell, Jack at 4/2/2008
Eliot doesn't just use a lot of imagery, the poem consists almost exclusively of imagery--or, at least, allusive images. There's not much that is concretely written in this poem (if there were, this forum wouldn't exist)--it's meant to invoke ideas and feelings through images that give us an in-depth sense of what's going on... I think I just defined poetry. The imagery gives the reader a very comprehensive sense of the situation, as opposed to if Eliot just said "the old guy is nervous about getting laid".
RE: Importance of Imagery
Posted by: pope, brittany at 4/2/2008
haha i agree. but i think the yellow imagry pertains to the significance of the color and what is generally associated. This subtle components of the poem speak the the subconscious, like even if we dont understand them our feelings do so it creates an emotional response
RE: Importance of Imagery
Posted by: Lyons, Kristy at 4/3/2008
I concur. Eliot makes a point to use a plethora of imagery not only to give the readers a sense of the situation, but for the purpose of Prufrock. It seems as if we are inside his head, taking the journey with him step by step.
RE: Importance of Imagery
Posted by: Myers, Cameron at 4/13/2008
I see what your saying about not much actually being concrete in this poem. And I think that is what makes it so useful, because it is now open to the interpretations of anyone who reads it, and they can in turn decide what they believe is happening and why. People will be able to draw their own meaning from the poem, and it can relate to them more closely. That is another reason why imagery is important in this srtory, because it allows people to justify what they think everything means by using the themes and recurring images that show up throughout the poem.
RE: Importance of Imagery
Posted by: howard, gabriel at 4/3/2008
The imagery in this poem gave the readers a guide of what is happening and it also help set a time frame. In stanza 14 lines 103 Prufcock says "After the novels, after the teacups, after the skirts that trail along the floor." These images create a time frame because the novels represent knowledge and how you have to learn. The teacups represent the social events that he must go to. The Skirts represent sex and the sexual connection with another women.
Prufrock and Hamlet
Posted by: Saffer, Anna at 4/2/2008
The speaker addresses many outside sources throughout this peom, but a reoccuring one is Hamlet.  I felt like each of them were very important to understand the poem, but i feel as if the connections with hamlet meant the most.  He says he is no hamlet, yet he is, because of his great procrastination, like prince hamlet.  And he is very negative, like hamlet.  But he is not as great as him, because he cannot stand up for what he wants.  Hamlet exposed his emotions. 
RE: Prufrock and Hamlet
Posted by: Massey, Kate at 4/3/2008
I think that part of what makes him so much like Hamlet is the very fact that he is (for whatever reason) uncomfortable with that role. Hamlet is a character never to toot his own horn, and never the first to point out (or even notice, really) any of his own character traits - whether negative or positive. I think, also, that Anna is right about Prufrock not being able to stand up for what he wants like Hamlet could - I think that's a major difference between the two. After procrastinating and making excuses for most of the play, Hamlet eventually did the deed.